On feeling highly strung
I bought some strings last week.
I actually found an Irish company that sells just strings at the somewhat appropriate address of strings.ie.
I ordered two sets – a set of 12 and a set of 6. They duly arrived with a nice little thank-you note, a wee pack of sweets and a couple of plecs. Nice service?
I should explain to those of you who have forgotten. I used to play the guitar. In fact I used to play a lot. I played Folk, Irish Traditional and a drop of contemporary [usually when I was pissed] in different groups. I played a couple of festivals – Kilkenny, Bennettsbridge and Cambridge – and in just about every pub in Ireland. It was great craic and ultimately led to my meeting Herself [but that’s a different story].
I had three guitars – a Spanish, a six-string acoustic and a twelve string acoustic. The six string acoustic has vanished. I think I gave it to Daughter about fifteen years ago. The other two have been gathering dust around the Manor as I haven’t played them in many many years. It’s about forty years since I last played them seriously and haven’t plucked a single string in over twenty years.
Herself has been nagging me about this. She says I should take them up again as I need a hobby [hah! I don’t have time for hobbies]. I pointed out that my fingers had gone soft. A serious guitar picker will have hard callouses on the tips of the left fingers [and very short nails] while the nails on the right hand should be a bit long. If I started again after forty years my fingers would hurt like fuck for a long time. This hasn’t stopped the nagging.
So anyhows it was time to restring the guitars to see what would happen. I thought I would string the Classical first as the strings are nylon and a lot softer on the fingers. I opened the packet and realised I had made the most basic error, signifying either that I was a total beginner or that I was senile. I suppose it was the latter, but I had just bought acoustic strings [made of steel] instead of classical strings [make of nylon]. Fuck! Maybe I’ll try to scrounge my old acoustic back off Daughter is she hasn’t lost/broken/sold it or given it away.
So I turned my attention to the 12-string. Then I discovered it had been slightly damaged at some stage. Two of the little pins, or nuts or whatever they are called that hold the strings had lost their heads and the rest look pretty old and fragile. It’s a very simple job to replace them but I have forgotten what they’re called so can’t order them. Senility strikes again. I’ll have to contact Strings and plead senility. Then I can order twelve of them and a set of nylon classical strings.
In the meantime I have discovered the two guitars I do have are worth a few bob.
Maybe I’ll just flog ’em?

Incidentally, I gave the web address of the company above simply because I liked their service [and also so I’ll remember] and not because they wanted a link. Instead of writing out my full explanations and queries again I suppose the easiest thing is to point them at this page? I’m not looking for any favours and they can’t give me any as they don’t know my address until I complete the order. Heh!
I think “pegs” is the word you’re looking for.
I could be wrong, It’s happened before. 🙁
EDIT: I’ve just looked in a book (remember books? they’re like Google but on paper), They are called bridge pins.
I had a lot of correspondence with the shop yesterday [Yes – Sunday! I was impressed] and indeed Bridge Pins is the term I was looking for. I don’t ever remember buying them before but must have judging by the odd set in the old 12 string. I now have twelve on order and a set of nylon strings.
I have never achieved the level or nerve required to play in public but have a nice Yamaha 6 string that has super easy action for occasional private noodling. I also have a semi acoustic/electric hollow body Tanglewood which has really light delicate action, ironically so delicate that I no longer have the feel and accuracy in my aging fingers. I used to have a nice Yamaha 12 string but the finger strength and pad pressure needed made that unplayable for me, so I gave it to daughter’s partner who is a real musician and can play stuff. But if Herself really wants to hear you I recommend a banjo. I recently rebuilt an old damaged one (just for fun, I hate to see stuff binned and instrument design fascinates me) and it’s very loud. Sadly in my hands it’s not musical, but loud is good.
NB, I have always heard of them as bridge or string pegs. Good luck.
It is said that “a gentleman is someone who knows how to play a Banjo but doesn’t!”
I thought that was bagpipes? Never mind. It’s the same principle.
My Classical guitar is a Yamaha, while the 12-string is a Kasuga [apparently a rarity these days]. Daughter [who must have read this] has just dropped off her 6-string acoustic so I now have the full set.
I’m going to start my messing with the Classical as the neck is wider and the strings softer so it will be less damaging to the fingertips. I still expect blood at some stage though.
Always slightly in awe of anyone who has the least musical ability. I was steered away from all that sort of nonsense from an early age towards science and academic learning and it was only in later years that I found where I really wanted to be. By that time I was training in all sorts of legitimate nastiness in the service of HM and every minute was given over to improving those endeavours, when all I really wanted to do was play the piano. Interesting how Life turns out. Please play again and show us a recording .. promise not to pipe my eye 🙂
Hah! Against all my wishes I was packed off for piano lessons from an early age. Then the parents signed me up for the Royal Irish Academy of Music which I hated with a vengeance. It literally put me off the piano for life. In the end I refused point blank to go and taught myself to play the guitar instead.
There is fuck all chance of my posting a video……
A friend of mine, an accomplished (acoustic) guitar player, had a Martin D-18 that he had retro-fitted with a classical neck as his fingers were so long he needed the wider neck to accommodate them. He also grew his own picks so he could switch from a “strum” to a “roll” at a moments notice. As for myself, the sound board was my instrument.